Even though I was at UCLA for over three years, I have never
visited the Hammer Museum or any of the museums I’ve written about for that
matter. It sits in the middle of all the
tall office buildings on Wilshire, which is interesting since usually you would
find a museum isolated with huge gardens around it like the Getty.
Hammer’s collection by French satirist Honoré Daumier stood
out among the others because of its bold criticism of life in contemporary
France. It took me awhile to actually
interpret some of his drawings, since many of them incorporated deep-rooted
issues. His drawing called
“Past-Present-The Future” depicts a very well fed three-faced man, each face
with an increasingly meaner expression from past to the future. Since most of his art criticized the life in
contemporary France, I interpreted this drawing as the face of the government
becoming harsher with its citizens. Another
picture that stood out was called “The Bathers” and depicted a man and a woman
each getting ready to use the bath. The
man was quite hefty, while the woman was the complete opposite. This may have represented the generalization
of how men and woman looked at the time, with men generally not worried over
their figure and women generally a lot more self conscious and wanting to be
thin. The “Nadar elevating photography
to the level of art” drawing was easier to interpret and basically represents
how Nadar’s work in photography is gradually becoming worthy to be called art
in Daumier’s eyes, though in the picture Nadar is riding an air balloon and
elevating physically.
Works Cited:
"RAISED TO AN ART." RAISED TO AN ART. N.p., n.d. Web. 03 Aug. 2014.
"Food for Thought." History 332 Modern France. N.p., n.d. Web. 03 Aug. 2014.
"About the Collection." The Hammer Museum. N.p., n.d. Web. 03 Aug. 2014.
"France in the Long Nineteenth Century." Wikipedia. Wikimedia Foundation, 27 July 2014. Web. 03 Aug. 2014.
"Honoré Daumier." Wikipedia. Wikimedia Foundation, 28 July 2014. Web. 03 Aug. 2014.
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